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  BRENT J. ZORICH          MA          BSID

        PRINCIPAL  TECHNICAL  ARTIST
        WORLDWIDE PUBLISHED TECHNOLOGY ENTREPRENEUR
   
ANIMATION ::::: VFX ::::: XBOX ::::: PLAYSTATION

        •   VENTURE CAPITAL PRESENTER
        •   SIGGRAPH AND GDC BOOTH OWNER
        •   COLLEGIATE GUEST LECTURER: OVER 40 UNIVERSITIES
        •   FORMER LUCASFILM EXECUTIVE TRAINEE AND SKYWALKER RANCH ALUM
        •   WEEKLY CREATURE RESEARCH AND DEVELOPMENT ATTENDEE ALUM AT ILM
        •   PRESENTED FILM GAME CONVERGENCE WORK DIRECTLY TO GEORGE LUCAS
        •   COMBINED THE RIGGING OF ILM'S STAR WARS EP II : ATTACK OF THE CLONES' JANGO FETT
             WITH AHSOKA TANO FROM STAR WARS: THE CLONE WARS & BUILT ON THE XBOX CONSOLE
        •   RIGGING MILESTONES INCLUDE JABBA THE HUTT, BOBA FETT, & ULTIMATE EVIL
        •   250 UNIVERSITIES ON 6 CONTINENTS RECEIVED MY AUTORIGGER
            (NOTE: FACEBOOK LLC HAD A UNIVERSITY PENETRATION OF 85 UNIVERSITIES PRE SERIES A)
        •    ADVISED TO NOT SELL MY AUTORIGGING FORMULA BELOW 20 MILLION IN ACQUISITION
        •    MY AUTORIG TECHNOLOGY WAS FEATURED ON THE COVER OF A WORLDWIDE MAGAZINE
        •    PRESENTER TO SEVERAL FORTUNE 100 COMPANIES REGARDING MY AUTORIGGER'S ACQUISITION
        •    ACQUISITION NEGOTIATIONS BROKERED BY GOLDMAN SACHS ALUM FROM HARVARD UNIVERSITY
        •    SIGGRAPH CHAIR GAVE A PUBLIC ENDORSEMENT OF MY AUTORIGGING TECH AS "MINDBLOWING"
        •    AUTORIGGER COMPLETES 80 HOURS OF RIGGING & SKINNING AT THE LEVEL OF ILM IN 20 MIN
        •   REDESIGNED ELECTRONIC ARTS TOP TITLE, MADDEN NFL, RIGGING SYSTEM TO BE BASED OFF OF
            ANATOMICAL ACCURACY :::: ENTIRE 10K ANIMATION CENTRAL FOOTBALL LIBRARY
            RETARGETED TO MY SETUP
        •   INTERVIEW, SCREEN, AND NEGOTIATE WITH VENTURE CAPITAL FIRMS FOR EQUITY INCLUDING
            THE FIRM OF KEVIN O’LEARY (ABC’S SHARK TANK)
        •   FRMR LUCASFILM BEST PRACTICES REVIEW COMMITTEE SELECTED BY PETER JACKSON'S FRMR CTO
        •   QUALITY ASSURANCE ON ILM'S BLOCK PARTY RIGGING SOFTWARE
        •   EXECUTIVE PROPOSAL WRITING AT LUCASFILM PASSED ON TO THE BOARD OF DIRECTORS
        •   FRMR INTERIOR ARCHITECT AT THE ARCHITECTURAL FIRMS RANKED #1 & #2 WORLDWIDE
        •   PROJECT ALUM OF GEORGE LUCAS,   STEVEN SPIELBERG,   JOHN MADDEN,   TIGER WOODS,
             JEFFREY KATZENBERG,   JK ROWLING,   M. ARTHUR GENSLER,   FRIEDL BOHM,   MICHAEL BAY

 

 

 

 

 


MY AUTORIGGING WORK IS ON THIS WORLDWIDE MAGAZINE'S DISC


 

 

 

 



WORLDWIDE TWO PAGE BIOGRAPHY


            









MY AUTORIG DESIGNS ARE A
WORLDWIDE COVER FEATURE


 

 

 

 

 

 

 

RIGGING PROTOTYPING
VIA MY PARTNER STUDIO


 

 

BASKETBALL RIGGING
DEVELOPMENT


 

 

FOOTBALL
LEAD RIGGING
DEVELOPMENT

 

 

• CO-FOUNDER •
• ACQUISITION REVIEWS •
• SIGGRAPH & GDC BOOTHS •

 

 

• BEST PRACTICES COMMITTEE •
• SKYWALKER RANCH ALUM •
• EXECUTIVE TRAINEE •

 

 

ARCHITECTURE FIRM
RANKED #1 WORLDWIDE
(INTERIOR ARCHITECT)

 

 

ARCHITECTURE FIRM
RANKED #2 WORLDWIDE
(INTERIOR ARCHITECT)

 

 

OUTREACH PROGRAM


 

 

RIGGING PROTOTYPING
VIA MY PARTNER STUDIO


 

 

PHOTOSHOP
PRE-RELEASE TEAM
FOR IPAD PRO 2

 

 

 

  • BS INDUSTRIAL DESIGN •
  • MASTERS OF ARTS •
 (ACCAD)

 

 

UNDERGRAD DEGREE
RETAIL DESIGN THESIS


 

 

MASTERS DEGREE
TECH ANIMATION THESIS


 

 

PRODUCT INVENTION
SUBMISSION TO CEO OFFICE


 

 

HARVARD BUSINESS ANGELS        
LLC ENGAGEMENT  
      

 

 

 

  ALUM OF NATION'S
  LARGEST FRATERNITY


 

 

WORLDWIDE MAGAZINE    
THREE TIME FEATURE    


 

 

    LLC ENGAGEMENT
    


 

 

    TOOL DEVELOPER
    


 

 

MODULAR RIGGING        
      
      



 

 

            CONTINUING STUDIES
           
IN LINEAR ALGEBRA

 

 

ALUM    
(SCHOLAR ATHLETE)   


 

 

    

ALUM OF FACILITY WHERE   
CGI WAS INVENTED 

   IN THE 1960'S 

 

 

 
WEEKLY CREATURE R & D   
ATTENDEE  
    



 

    

THE UNITED STATES                  
PRESIDENTIAL             
   
  TASK FORCE                   


 

 

WORK

 

 

PROJECTS

         
LEAD RIGGING RIGGING LEAD RIGGING RIGGING PROTOTYPING RIGGING
        SPIELBERG PROJECT
         
         
RIGGING RIGGING R AND D RIGGING R AND D LEAD RIGGING

LEAD RIGGING

         
         

RIGGING R AND D

RIGGING LEAD RIGGING RIGGING PROTOTYPING RIGGING
  LEX LUTHOR WARDROBE MODELING      
         
         
COMPOSITING DAILIES SHOT CRITIQUING SHOT EDITING MONTHLIES RIGGING CLEANUP RIGGING • MODELING
COLOR CORRECTION       ANIMATING • COMPOSITING
         
         
RIGGING ARCHITECTURE ARCHITECTURE ARCHITECTURE ARCHITECTURE
         
         
ARCHITECTURE ARCHITECTURE BRAND AND ARCHITECTURE PRODUCT PITCH TO CHIEF CREATIVE OFFICER
    INDUSTRIAL DESIGN THESIS REEBOK CEO (1997) PRINCIPAL TECH ARTIST
      "THE REEBOK GOLF SANDAL"  
         
         
CHIEF CREATIVE OFFICER CHIEF CREATIVE OFFICER CHIEF CREATIVE OFFICER CHIEF CREATIVE OFFICER CHIEF CREATIVE OFFICER
PRINCIPAL TECH ARTIST PRINCIPAL TECH ARTIST PRINCIPAL TECH ARTIST PRINCIPAL TECH ARTIST PRINCIPAL TECH ARTIST
         
         
CHIEF CREATIVE OFFICER CHIEF CREATIVE OFFICER CHIEF CREATIVE OFFICER RIGGING RIGGING
PRINCIPAL TECH ARTIST PRINCIPAL TECH ARTIST PRINCIPAL TECH ARTIST    


       
         
RIGGING BOOTH OWNER BOOTH OWNER PRE-RELEASE TEAM PARTICIPANT

 

 
FILM GAME CONVERGENCE DESIGN ENGINEERING
 
- MATCH UP COLOR CIRCLE ON BODYPART TO HIGHLIGHTED IP -
 
 
                                 SMART SKINNER CONTROL RIG TECHNICAL INFLUENCES
 
 
ILM BLOCK PARTY
2K SPORTS LUCAS ANIMATION
LUCASARTS
EA GAMES EA SPORTS
CHARACTERS EXPLORED AT LUCAS
EA GLOBAL RIGGING ATTENDEE

 

SMART SKINNER RIGGING WORKFLOW

APPROX 80 HOURS OF WORKFLOW CONSOLIDATED IN 20 MIN

(15K LINES OF CODE)

(ADVISED TO NOT SELL FORMULA BELOW 20 MILLION)

(ACQUISITION REVIEW FIVE TIMES)

MATCH UP NUMBER TO FUNCTIONAL BUTTON ON "GUI"

 
  START WITH YOUR MODEL GENERATE ILM LEVEL
CONTROL RIG
INSTANTLY
KEYFRAME CONTROL
RIG WITH GUI BUTTONS
OPTIMIZE CHARACTER
FOR IN GAME USE
WITH GUI
  GENERATE AND
ALIGN SKELETON
WITH GUI
ATTACH MODEL
TO SKELETON
WITH GUI
REFERENCE IN ZBRUSH,
NEXT - GEN, OR MOBILE
PROXY WITH CORRECT
SKIN WEIGHTS THAT
ALIGNS WITH MODEL.
TRANSFER WEIGHTS
THEN UNREFERENCE.
THIS HAPPENS ALL
WITHIN GUI.
TEST SKIN WEIGHTING
WITH GUI POSER LIBRARY
  EITHER OVER 80 HOURS SAVED
FOR UNITY IMPORT
  GENERATE MOCAP
HIK RIG WITH GUI
APPLY MOCAP DATA
TO HIK RIG IN MAYA
OPTIMIZE CHARACTER
FOR IN GAME USE WITH
GUI

 

VIDEOS

DEMO REEL

 

MY MAGAZINE PUBLISHED AUTORIGGING TECHNOLOGY I AUTHORED AT THE LEVEL OF ILM (FORMER EMPLOYER)

 

QUAD AUTORIGGING PRESENTATION

 

MODULAR CASE STUDY ON DOCTOR OCTOPUS "DOC OCK"

 

 

BIOGRAPHY

Born on December 6th, 1974, after Brent J. Zorich graduated St. Charles Preparatory High School in 1993 as a scholar athlete, he went into the industrial design department ranked in the top five nationally at The Ohio State University, was a member of Sigma Alpha Epsilon fraternity, and graduated as the undergraduate design school student body president with a thesis project rebranding Nike retail. In undergrad, Brent worked in store sales and visual merchandising for Tommy Hilfiger. For a brief couple of years, Brent switched his major to Pre Allied Medicine with the hopes of eventually becoming a strength coach in the NFL; writing workout routines and training collegiate football players in the weight room. After switching back to Industrial Design, in 1997, as a young entrepreneur, Brent mocked up a prototype industrial design concept of a Reebok Golf Sandal incorporating the brand of Greg “The Shark” Norman, and presented the concept to the office of the CEO of Reebok, Paul Fireman, for production. While a student in the design department, Brent had a summer design internship doing illustration work for a nationally ranked luxury SUV design facility named Custom Coach in Columbus, Ohio. There he worked on transportation design for their client, John McConnell, owner of the NHL Columbus Blue Jackets (note: other clients of Custom Coach included John Madden’s “The Madden Cruiser”; Deion Sanders; President George H. Bush; and Minister Louis Farrakhan- The Leader of the “Nation of Islam”- who Brent met in person while on site). Afterwards, Brent completed an internship doing corporate interior space design at Continental Office Furniture (Herman Miller) in Columbus, Ohio. Once graduated from The Ohio State University, Brent worked at the architectural firm ranked number 2 in the world, NBBJ, as a post graduate architectural intern with the client being the “Republic of China”. He was fortunate enough to be in several “crit” sessions while on The Beijing Hotel for The Republic of China with the Chairman of Global NBBJ, Friedl Bohm. Brent then moved to Atlanta, Georgia, to work for Gensler, the architectural firm ranked number 1 in the world as an interior architect, focusing on retail design for Gensler Fortune 500 clientele. These projects included both design documentation and construction documentation for one of Gensler’s premiere clients: Volkswagen. Brent was lucky enough while working in the studio to attend a firm practices session and meet and greet with M. Arthur Gensler, considered by many to be the most powerful architect on the planet. The key lesson he learned from Mr. Gensler was to be humble in business dealings. Arrogance is the quickest way to lose a client.

He left Atlanta and went back to the Ohio State ACCAD program, where computer graphics were invented in the 1960s by Professor Emeritus Charles Csuri, to complete a masters in computer graphics/ technical direction. Note: key alum of this program had made the liquid alloy T-1000 in “Terminator 2: Judgement Day” starring Arnold Schwarzenegger; the velociraptors in the original 1993 “Jurassic Park” directed by Steven Spielberg; the founder of FOX Blue Sky Studios who created “Ice Age”, “Horton Hears a Who”, and “The Peanuts Movie”; and the Chief Technology Officer of PIXAR Animation Studios. Of the 50,000 plus students at The Ohio State University, only approximately ten to fifteen students had security access to this ACCAD graduate program building. Graduate admittance into this program is determined by portfolio, and professional and academic achievement.

During Brent’s tenure at ACCAD, the facility received a research grant through Brave New Pictures to develop a nationally televised one hour documentary on a newly discovered nano tyrannous dinosaur in Hell Creek, Montana. This one hour documentary, entitled “The Mystery Dinosaur”, aired prime time on both The Discovery Channel and The Science Channel. Brent was key in both modeling and rigging on this feature. As apart of this grant, ACCAD was in full collaboration with The Burpee Museum in Rockford, Illinois, who were having weekly discussions with this ACCAD research group on physiology, anatomy, and biomechanics. Paleontologists from this museum had worked with Dr. Robert Bakker who was the Steven Spielberg paleontologist consultant on Jurassic Park. ACCAD alum of this project went on to work at studios such as PIXAR, Walt Disney Feature Animation, EA Sports, Sony Pictures Imageworks, Dreamworks Animation, and Activision; with Brent ending up at Lucasfilm. The ACCAD producer on this feature was the former department head of computer animation at The Ringling College of Art and Design. Note, Brent’s graduate thesis was entitled “Rigging A Prehistoric Animal” where he automated the rigging process in python.

Finally in graduate school, he was in a DreamWorks SKG Outreach program being trained by Dreamworks supervisors in animation; and was also fortunate enough to be in a lecture session with Jeffrey Katzenberg. During the lecture, Mr. Katzenberg was asked what the most key role was in the production pipeline; his response was “the rigger.” Brent altered his CGI focus from modeling to rigging upon hearing that. This outreach program duration was 20 weeks, with supervisors in the industry who were currently working at DreamWorks Animation bringing such previous film experience to the ACCAD students as “Spider-Man 2”, “Finding Nemo”, “Shrek”, “Shark Tale”, and “Madagascar”. Brent was also asked to give a lecture, while as a student, to the College of the Arts at Ohio State student body at the Wexner Center for the Arts. There were a total of seven guest lecture supervisors from the program that went into extensive CGI techniques with each of the students on an individual basis. This gave Brent access to a professional pipeline in early development in his computer animation career that is still applicable to the types of work he is doing today. In these sessions, one of the people that he shadowed was the DreamWorks Animation SKG Rigging Supervisor that went over advanced rigging techniques, and first introduced Brent into the power of programming and scripting for automation. This particular supervisor, was the lead on Finding Nemo from PIXAR and who first taught Brent about “proxy rigging.”

Afterwards, Brent went on to work in San Francisco, California, on Take 2 Interactive “NBA 2K”, working with the data of Shaquille O’Neal (TTWO market cap September ‘18: 15.2 billion) (note: they are also the makers of the top selling IP on the planet, Grand Theft Auto) and then on to Orlando, Florida, for EA SPORTS, where he worked on “Superman Returns”, “Tiger Woods PGA Tour”, and as a rigging technical director lead on “Madden NFL” (which is the top grossing video game in North America) (EA market cap September ‘18: 34.8 billion). While on Madden NFL, Brent was key in breaking new ground in the character setup aspect of the digital football players by working with the Central Football leads in changing the player bodies to be anatomically correct. Previously, the digital players in Madden NFL and NCAA Football had elongated arms to exaggerate a more Disney style art direction. Brent played a key role in converting the players of the top selling title in North America to bio mechanical accuracy with the entire 10,000 volume EA SPORTS Central Football animation library retargeted to his rigging setup. Lastly on Madden NFL, Brent was key in adding 15 to 20 additional leaf joints to the animation rig to add hyper realism in regards to bicep and hamstring flexing. At EA SPORTS, Brent was in bi-monthly global meetings with EA VANCOUVER, EA ORLANDO, and EA LONDON, analyzing and recommending improvement on rigging assets of characters for ELECTRONIC ARTS top titles including “FIFA”, “NHL”, “NBA Live”, “Facebreaker”, and “EA Harry Potter.” In these meetings, best practices with the ELECTRONIC ARTS BODYSHOP, global technology, global work flow, and global tools were explored.

Brent left the United States and moved to Singapore to become senior/ executive trainee/ best practices review committee of Lucasfilm, working with the former Chief Technology Officer of Peter Jackson’s Weta Digital in Wellington, New Zealand (The Lord of the Rings). There at Lucasfilm, he worked on “Star Wars” intellectual property (showing work directly to George Lucas), “Indiana Jones IP” for Steven Spielberg, was brought in to work on monthlies prep on “Harry Potter and the Half Blood Prince” (sequence includes Harry Potter and Professor Dumbledore), color correction on “The Clone Wars” with shots including Cad Bane and Obi-Wan Kenobi, and dailies shot critiquing on “Transformers Revenge of the Fallen” at Industrial Light and Magic research and development meetings (shots include Devastator and Optimus Prime), while also frequenting the Skywalker Ranch for research in Marin County in San Francisco, California. The Best Practices Review Committee was a hand selected panel by the former Chief Technology Officer from Weta Digital consisting of approximately ten people. Brent had a strong vocal presence in these meetings where the goal of each was to set the digital standard in modeling, rigging, and rendering, for LucasArts, Lucasfilm Animation, and Industrial Light & Magic. While in Singapore, before being promoted and relocated to the home office in San Francisco, Brent was in a small research group of about six people focusing on film game convergence. In that group, the graphics researchers optimized an environment that was inhabited by Master Yoda from “Star Wars: The Clone Wars”, as well as Anakin Skywalker’s Jedi Apprentice, Ahsoka Tano, from that same series. Brent combined the underlying engineering rigging aspects of the young Jedi with Jango Fett from ILM’s Oscar Nominated “Star Wars Episode 2: Attack of the Clones.” The team used those assets to create a playable level in the Unreal Engine on the XBOX 360, which was shown to Mr. Lucas in Singapore. Before this film game convergence research began, Brent was doing additional exploration in the Autodesk Maya files of such Star Wars characters as General Grievous, Kit Fisto, Anakin Skywalker, Padme Amidala, Jar Jar Binks, and a few others. He was analyzing their character technical direction and looking for ways to improve the control set ups to build out universally within Lucasfilm. In San Francisco, executive training within Lucasfilm Corporate was administered to Brent by the consultancy Engaged Leadership LLC. One of his personal highlights in addition to creating the character technical direction on Jabba the Hutt and Boba Fett was setting up the character code named Ultimate Evil, who was the cover character of Star Wars The Force Unleashed Ultimate Sith Edition. For both spinal research of Jabba as well as biomechanics of Boba he worked with the library of the Skywalker Ranch frequenting the facility in Marin County. Brent’s initial goal was to become a creative studio executive at Lucasfilm. Worldwide published magazine, 3D ARTIST MAGAZINE, did a two page worldwide feature on Brent at Lucasfilm. Note: In 2009, Brent was a workplace stalking victim that led to temporary medical injury causing him to leave Lucasfilm with the perpetrators reported to the FBI. People from Brent’s hometown of Columbus, Ohio, were showing up at his place of employment in San Francisco, California, and Brent had a near fatal allergic reaction from prescription medicine given to him due to this situation. This allergic reaction caused six weeks of hospitalization with four months of excrutiating pain and suffering and forced a departure from the workplace. As an update, in 2020, Industrial Light & Magic requested Brent's availability in regards to rejoiining the San Francisco studio.

In 2010, Brent parted ways with California and Singapore and cofounded an animation software company in Columbus, Ohio, named BZP Pro with investors in the banking industry that are alum of Harvard and Yale from Chicago, Illinois. BZP Pro is engaged with accelerator REV1 VENTURES. The LLC had booth representation at both The Game Developers Conference (GDC) and Siggraph. The animation rigging software he wrote, called The Smart Skinner, had a university penetration of 250 universities on 6 continents (due to BZP Pro’s partnership program), made the cover of a world wide magazine, and was under acquisition review several times; the last time working with a Harvard investment banker formerly from Goldman Sachs. Brent was advised to not sell the formula below 20 million dollars by an affiliate of one of the founders of ILM. With the investment banker, they were in acquisition negotiations with a Silicon Valley headquartered company worth over 100 billion dollars. Note, (Mark Zuckerberg) FACEBOOK LLC, according to reports, was at approximately 85 schools pre “Series A” investment; BZP Pro outpenetrated FACEBOOK in university acceptance in the pre “Series A” investment stage with a “freemium” business model similar to FACEBOOK LLC: “free-to-play” for collegiate users with sales through “add-ons”.

The initial marketing strategy was that universities would receive the “freemium” software for three years to be fully integrated into their curriculum. Then, upon the fourth year of the universities requesting an upgrade, they would be charged an annual subscription thereafter; with students in the classroom being able to purchase additional individual licenses. The Smart Skinner automates 80 hours of advanced character technical direction into about 20 minutes of labor with minimal cleanup at the technical level of the companies Brent was previously employed, including Industrial Light and Magic’s Oscar winning Block Party Rigging Software. Upon purchase, The Smart Skinner perpetual license is active for the current year of Autodesk Maya. When Autodesk Maya upgrades annually, the customer would need to repurchase a new Smart Skinner license. BZP Pro froze the business operation when they were under the last acquisition review with the Silicon Valley company worth over 100 billion dollars and is currently in the process of relaunching. NOTE: Brent took an extended leave of absence to take care of his terminally ill mother who passed from pancreatic cancer, as well as make his father’s house ADA compliant who is wheelchair bound with multiple sclerosis. Afterwards, while also updating the Smart Skinner pipeline and adding a pose library, Brent completed rigging prototyping work for both Sony Pictures as well as Walt Disney Feature Animation; working with his partner studio in Los Angeles. Most recently, Brent went under NDA with ADOBE, INC (Market Cap November ‘19: 142 billion) where, as an illustrator, was beta testing their design ecosystem (Photoshop) for APPLE’s IPAD PRO 2 (APPLE Market Cap November ‘19: 1.17 trillion).

While co-operating BZP Pro with his partners, Brent will be able to continue to work on visual effects and video game blockbuster titles, and is hopeful to pursue additional advanced degrees in Business and Engineering as relates to Entertainment Technology with him already taking classes at Stanford University. He is also in the beginning stages of conceptualizing more potential venture funded IP, and most recently was recruited to be on 'The United States Presidential Task Force' assisting with public opinion given to the Office of The President of The United States of America. Brent looks forward to lengthening his technical direction and entrepreneurial portfolio. For fun, Brent enjoys going to four star steakhouse bars to watch ESPN; lecturing at universities around the country on the topic of video game and visual effects development; and at Starbucks, daily, sketching Frank Gehry influenced deconstructive buildings on his iPad Pro 2 (with APPLE Pencil), or Samsung Galaxy Note 10 Plus (with the Samsung S-Pen), using the ADOBE Design Ecosystem software. He is a fan of Ohio State Football, as well as The Chicago Bears, and affiliations of Michael Jordan. His favorite movies are Spider-Man 2, The Lord of the Rings, Harry Potter and the Prisoner of Azkaban (that is his favorite movie actually seeing it over thirty times in the theater), The Fantasia Series, and Star Wars Episode III: Revenge of the Sith. His favorite video games are Lord of the Rings: The Two Towers, Harry Potter and the Prisoner of Azkaban, and Battlefront II, all by Electronic Arts for the XBOX; Spider-Man, and God of War for the PlayStation 4; and The Batman Arkham Series by Warner Bros Interactive. His favorite music acts are Pink Floyd, Seal, U2, Frank Sinatra, and Metallica. Brent’s eventual goal would to be a Chief Visual Officer at a major animation, visual effects, or video game studio similar to someone like Doug Chiang or John Knoll, with Mark Pincus potential: who he had the pleasure of having a brainstorming session. He looks to the creative visual guidance of Peter Jackson and JK Rowling work for inspiration. Brent hopes to write a memoir one day on his own reflections and professional practices stemming from portfolio experiences as well as collegiate lecturing.

 

 

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