LUCASFILM BEST PRACTICES COMMITTEE (1 OF 10 MEMBERS)
BI-MONTHLY MEETINGS SETTING DIRECTION OF LUCASFILM DIGITAL
SELECTED BY THE FORMER CTO OF PETER JACKSON'S WETA DIGITAL (THE LORD OF THE RINGS)
BZP PRO SMART SKINNER AUTORIGGER PLUGIN
1ST VENTURE VALUED AT 20 MILLION BY HOTH SUPERVISOR BUSINESS PARTNER ON 'THE EMPIRE STRIKES BACK'
SIGGRAPH AND GDC BOOTHS :::::: 250 UNIVERSITIES ON 6 CONTINENTS LICENSED THIS TECH AT A RATE OUTHUSTLING FACEBOOK LLC PRE ANGEL INV.
• FIVE ACQUISITION REVIEWS AND COVER OF WORLDWIDE MAGAZINE: FORMULA STILL ON MARKET FOR SALE •
SIGNATURE RIGGING PROTOTYPING WITH MY AUTORIGGER PLUG-IN
1ST VENTURE CON'T: 'DRAX' IN SONY PICTURES AND MARVEL'S "GUARDIANS OF THE GALAXY VOL. 2"
80 HOURS OF RIGGING COMPLETED IN 15 MINUTES WITH MY TECHNOLOGY
'SKETCHES OF BRENT ZORICH' CLOTHING LINE
2ND VENTURE PROJECTED AT 18 MILLION BY THE PR FIRM OF FACEBOOK, GOOGLE, AMAZON, AND DISNEY
SAMPLE IMAGES OF PRODUCT SHOWN
• FEATURED IN WALL STREET JOURNAL: MARKET WATCH •
SIGNATURE MODELING
T-REX IN "THE MYSTERY DINOSAUR" FOR THE DISCOVERY CHANNEL ("JURASSIC PARK" USED AS REFERENCE)
THIS WAS THE THIRD MODEL BRENT EVER CREATED. HE USED A RIGHT HANDED MOUSE TO CREATE, AND HE IS LEFT HANDED. HE USED HIS OPPOSITE HAND.
• THIS MODEL WAS APPROVED BY THE SCIENTISTS AT THE BURPEE MUSEUM WHO ASSISTED WORLD RENOWN PALEONTOLOGIST DR. ROBERT BAKKER ON 'JURASSIC PARK' •
MINE DONE WHILE A STUDENT
INDUSTRIAL LIGHT & MAGIC'S
On the left in a "blue render" is Brent's T.rex that is the third model he has ever created. He made this model with his right hand and he is left handed... he used his opposite hand. On the right, in a "grey shade", is Industrial Light & Magic's T.rex. This was completed by their "A" "Top" Team for Jurassic Park III in 2001. As you can see, Brent's T.rex, that he did with his opposite hand while a student, is just as convincing as ILM's top team on Jurassic Park... where two years upon leaving ACCAD at The Ohio State University, Brent became the "Best Practices Review Committee" as selected by the former CTO of Peter Jackson's Weta Digital (The Lord of the Rings). In Brent's opinion, ILM is the top visual company in the history of the human race.
SIGNATURE RIGGING
CHARACTER TECHNICAL CONSTRUCTION ON GAMMOREAN GUARD AND REBEL TROOPER IN "STAR WARS" IP
FULL KNOWLEDGE OF LUCASARTS "TOOL PARTY" RIGGING SOFTWARE
SIGNATURE PRODUCTION EDITING
MONTHLIES EDITING ON "HARRY POTTER AND THE HALF BLOOD PRINCE"
WORKED ON SEQUENCE WITH HEAD OF ILM SINGAPORE: MUSIC USED WAS "EULOGY" BY THE GROUP TOOL
SIGNATURE MODELING AND RIGGING
DRAGON RIGGING AND LEX LUTHOR WARDROBE IN "SUPERMAN RETURNS" AT EA
BRENT DID SUCH A PHENOMINAL JOB AS AN INTERN ON THIS TITLE THAT HE WAS AWARDED "LEX." TYPICALLY GIVEN TO A SENIOR DIRECTOR.
SIGNATURE RIGGING RESEARCH AND DEVELOPMENT
ILM QA ON STANDARD BIPED, QUADRUPED, AND WINGED CHARACTERS
SIGNATURE ARCHITECTURE
DESIGNS FROM THE TWO LARGEST ARCHITECTURE FIRMS IN THE WORLD
APPLICABLE TO BEING A CHIEF VISUAL OFFICER AT A MAJOR VIDEO GAME STUDIO
SIGNATURE KEY ARCHITECTURAL SKETCHES
SEEN IN THE "SKETCHES OF BRENT ZORICH" SECOND VENTURE CLOTHING LINE
SIGNATURE RIGGING RESEARCH AND DEVELOPMENT
TIGER WOODS PGA RESEARCH RIG DESIGN AT ELECTRONIC ARTS
SIGNATURE RIGGING RESEARCH AND DEVELOPMENT
SUBCONTRACT SONY CHARACTER RIGGING PROTOTYPING
SIGNATURE COLOR CORRECTION
CAD BANE IN "STAR WARS: THE CLONE WARS"
SIGNATURE COLOR CORRECTION
OBI-WAN KENOBI IN "STAR WARS: THE CLONE WARS"
SIGNATURE COLOR CRITIQUING
OPTIMUS PRIME AND DEVASTATOR IN "TRANSFORMERS REVENGE OF THE FALLEN"
THIS TOOK PLACE IN WEEKLY INDUSTRIAL LIGHT & MAGIC CREATURE RESEARCH & DEVELOPMENT MEETINGS
SIGNATURE RIGGING RESEARCH AND DEVELOPMENT
GRADUATE THESIS WORK IN DESIGNING A PYTHON AUTORIG FOR A PREHISTORIC ANIMAL
IN COLLABORATION WITH THE BURPEE MUSEUM WHOSE SCIENTISTS ASSISTED DR. BAKKER WHO WAS IN CHARGE OF "JURASSIC PARK"
SIGNATURE RIGGING
BOBA FETT IN "STAR WARS: THE FORCE UNLEASHED"
SIGNATURE RIGGING
THE AT-ATS IN "STAR WARS: THE FORCE UNLEASHED ULTIMATE SITH EDITION"
CONTROL RIG MODIFICATION, SKINNING, DOOR FLAP RIGGING DESIGN
SIGNATURE RIGGING
DISNEY SUBCONTRACT RIGGING RESEARCH AND DEVELOPMENT ON "VAMPIRINA" FOR DISNEY ANIMATION
INCORPORATING MOTION CAPTURE DESIGN INTO THEIR KEYFRAME SETUP
SIGNATURE RIGGING
DISNEY SUBCONTRACT RIGGING RESEARCH AND DEVELOPMENT ON "FREDDY" FOR DISNEY ANIMATION
INCORPORATING MOTION CAPTURE DESIGN INTO THEIR KEYFRAME SETUP
SIGNATURE RIGGING
REDESIGNED THE RIGGING SYSTEM ON "MADDEN NFL 09"
THIS IS ELECTRONIC ARTS TOP TITLE IN NORTH AMERICA
SIGNATURE RIGGING
REDESIGNED THE RIGGING SYSTEM ON "NCAA FOOTBALL 09"
SIGNATURE RIGGING RESEARCH AND DEVELOPMENT
RESEARCH AND DEFORMATION TESTS ON HAMSTRINGS, SHOULDERS, AND QUADS
WORK WAS TESTED ON THE DATA OF SHAQUILLE O'NEAL
SIGNATURE RIGGING SHOWN TO GEORGE LUCAS
FILM GAME CONVERGENCE ACCOMPLISHED AT LUCASFILM ANIMATION SINGAPORE
CONVERGING THE RIGS OF ILM'S "ATTACK OF THE CLONES" JANGO FETT AND TV'S "CLONE WARS" AHSOKA TANO INTO A PLAYABLE BUILD ON THE XBOX
SIGNATURE RIGGING
'ULTIMATE EVIL' IN "STAR WARS: THE FORCE UNLEASHED"
THIS IS THE COVER CHARACTER OF ONE OF/ IF NOT BIGGEST 'STAR WARS' VIDEO GAMES OF ALL TIME
SIGNATURE RIGGING
'JABBA THE HUTT' IN "STAR WARS: THE FORCE UNLEASHED"
THIS IS THE MOST REALISTIC JABBA EVER CREATED EVEN SURPASSING ILM'S "STAR WARS TOP TEAM": DONE WITH AN OPTIMIZED TOOL SET
• MY JABBA OPTIMIZED ON THE XBOX 360 AND PS3 •
ACCORDING TO REVIEWS, THE BEST LOOKING JABBA EVER CREATED.
MY OPTIMIZED VIDEO GAME LUCASARTS JABBA LOOKS BETTER THAN THE STAR WARS' FULLY RENDERED FILM JABBAS DONE BY THE STAR WARS "TOP TEAM" AT INDUSTRIAL LIGHT & MAGIC.
WHILE THERE, I WAS DOING MORE CONVINCING WORK AT LUCASARTS ON THE GAME VERSION THAN MY COUNTERPARTS AT ILM ON THE SAME CHARACTER.
THIS RIG WAS CREATED IN THREE DAYS.
I AM THE TOP RIGGER IN THE VIDEO GAME INDUSTRY.
SIGNATURE SQUASH AND STRETCH MARKETING RIGGING
INTRO MARKETING CHARACTER TOUCH UPS ON THE LUCASARTS INTRO GOLDEN GUY
'INDIANA JONES AND THE STAFF OF KINGS' WAS EXECUTIVE PRODUCED BY STEVEN SPIELBERG AND GEORGE LUCAS
SIGNATURE RIGGING EXPLORATION
GENERAL GRIEVOUS IN "STAR WARS: THE CLONE WARS"
ADVANCED ANALYSIS, RIG BREAKDOWN, AND BUILD RECONSTRUCTION IN BETWEEN LUCASFILM ANIMATION TASKS
SIGNATURE RIGGING EXPLORATION
ANAKIN SKYWALKER, PADME, KIT FISTO, AND REX IN "THE CLONE WARS"
ADVANCED ANALYSIS, RIG BREAKDOWN, AND BUILD RECONSTRUCTION IN BETWEEN LUCASFILM ANIMATION TASKS
SIGNATURE RIGGING TRAINING/ SHADOWING
THE DREAMWORKS RIGGING SUPERVISOR WHO WAS A LEAD ON "FINDING NEMO" AT PIXAR
THIS TOOK PLACE DURING THE DREAMWORKS OUTREACH PROGRAM IN 2005 AT ACCAD AT THE OHIO STATE UNIVERSITY
• THIS IS WHERE BRENT FIRST LEARNED ABOUT USING PROXIES TO RIG WHICH WOULD AID THE DEVELOPMENT OF BZP PRO •
SIGNATURE CLOTH RESEARCH ON EA TOP TITLES
RIG SWAPPING USING THE EA VANCOUVER (EAC) PSC DELAY NODE
TITLES LOOKED AT INCLUDE "FIFA 09" AND "NBA LIVE 09": TEST IMPLEMENTATION ON "EA SPORTS NFL TOUR"
• FULL RIGGING COMPREHENSION •
GLOBAL RIGGING ADVISEMENT ON EA TOP TITLES
RIG SWAPPING BETWEEN EA ORLANDO, EA VANCOUVER, AND EA LONDON
TITLES INCLUDE "FACEBREAKER", "HARRY POTTER AND THE ORDER OF THE PHOENIX", AND "NHL 09"
INDUSTRIAL DESIGN SENIOR THESIS
NIKE REDESIGN AND REBRAND TO TARGET REGIONAL SECTORS OF THE MARKETPLACE
THIS PROJECT SECURED POSITIONS AT THE TWO LARGEST ARCHITECTURE FIRMS IN THE WORLD
AMATEUR ARTWORK AT 'THE CENTRAL OHIO ART ACADEMY'
FOR ARCHIVAL PURPOSES
FOR ORIGINAL ARTWORK PURCHASE INQUERIES CONTACT ON LINKEDIN
COMPARISONS
ARTISTIC STATEMENT
A COMPARISON TO PABLO PICASSO
PABLO PICASSO AT AGE 9
BRENT ZORICH AT AGE 7
Pablo Picasso is one of, if not, greatest painters and artists of all time. It is only natural, when assessing the artistic skill set of Brent’s early work, that a side by side comparison be executed to determine comparable talents. On the left, is Picasso’s earliest captured work at 9 years old. On the right, is a scan of Brent’s earliest work at 7 years old. As you can see, at that early age, Brent’s “snake” at 7 years old shows a skill set that surpasses Picasso at 9. Picasso went on to be one of the greatest painters ever, however, comparing him to Brent might not be a fair assumption because unlike Picasso, Brent does not paint every day, so his skill set is subdivided in design engineering, industrial design, architectural design, engineering programming, and illustration. Brent is not Picasso… he is Leonardo DaVinci… just as much a scientist as an artist. This will be key in assessing value when staffing for the creative portion of a computer graphics project: both as an independent contract, and as a staff chief visual officer that can earn more than ten million per year. Note, with the overall surpassed skill set of Picasso in non painted categories, Pablo Picasso’s work at times has sold for up to 100 million dollars per piece. The future is bright.
WORLDWIDE BIOGRAPHY FEATURE
('3D ARTIST MAGAZINE': ISSUE 10)
SHOWCASING PRIMARILY MY WORK FROM LUCASFILM AND EA UP TO 2010
